Las Implicaciones de la Imagen (Implications of the Image) has its origins in the Isabel and Agustin Coppel Collection, and its related to multiple lines of research that witness the diverse scenes of contemporary art. Following the features that distinguish the collection itself, the show is based on a non-linear conception of space and time, where several concepts and artistic strategies converge. If we were to find a constant in this exhibition we could say that works it includes are alternatives to the modern canon, which were activated by audacious and foundation trends like Pop, Minimal and Conceptual Art.
The margins of the collection are wide and malleable in relation to a strictly historical perspective. The main axis that structures the criteria for the acquisition of artworks is current art production, even if –at times- it also includes works coming from processes associated to modernity. Historical photography is an example of this, as a kind of production that shapes the background of contemporary art. That is why the genealogical position that shapes the collection is the point of departure for the curatorial proposal.
Las Implicaciones de la Imagen (Implications of the Image) opens multiple discursive axis, which do not correspond to the historic or geographical quotas. Instead, the exhibition –which is intended to highlight its fragmentary system of construction- establishes six inclusive thematic categories aimed at opening potential lines of research and analysis within the collection: Departing from the Object, The Fragmentation of Time and Space, From the Individual to the Character, The Body, From the Cracks in Power, From Concept to Memory.
Ernesto Neto
Licra, nylon, stones
14.96 x 155.12 x 61.02 in
Eduardo Abaroa
Cotton swabs, plastic balls and wire
Dimensions variable
Dan Flavin
2 pink and 4 yellow fluorescent lights in 6 parts.
48.03 x 48.03 in
Ernesto Neto
Textile and styrofoam
137.80 x 47.24 x 47.24 in
Dimensiones variables
Zhang Dali
Color Coupler print
37.68 x 58.74 in
Jonathan Monk
12 silver gelatin prints
11.00 x 14.00 in
Rineke Dijkstra
Chromogenic color print
24.37 x 20.51 in
Miguel Calderón
Video projection
90 min
Gregory Crewdson
12 digital chromogenic prints
28.98 x 43.98 in
Loretta Lux
Cibachrome print mounted with Aluminium-Dibond.
19.61 x 19.61 in
Roger Ballen
Selenium toned gelatin print
15.00 x 15.00 in
Sophie Calle
Gelatin silver print and text
12.48 x 8.98 x 3.15 in
Nan Goldin
Cibachrome
30.00 x 40.00 in
John Baldessari
Color photographs with oil tint and vinyl paint on board
75.24 x 86.50 in
Christoph Büchel
Black and white video with sound
9 min, 46 seg.
Kendell Geers
Neon sign
98.43 x 15.75 x 5.51 in
Priscilla Monge
Chalk and blackboard
24.02 x 35.83 in
Santiago Sierra
Video
90 min
Vito Acconci
In all installation (3 framed elements)
18.11 x 57.09 in
Francis Alÿs
Instalation of 1 painting and 25 drawings
Dimensions variable
Tony Cragg
Plastic parts
185.04 x 98.43 in
Douglas Gordon
DVD en monitor
35 seg.
Jorge Macchi
Hammer hemp thread and nails. Insitu installation
78.74 x 157.48 in
Lawrence Weiner
Cut vinyl on wall
Dimensiones variables